Your Final Writing Class

 

In Brooklyn & Online

With literally just some Guy, Tony Tulathimutte

Check out this article about CRIT in The Guardian lol

 

In standard workshops, you get feedback and deadlines, you meet a few other writers. Which is fine. But the emphasis on craft tends to overlook process, research, reading, career, and community building. MFAs require app fees, rec letters, GRE scores, and most will put you in five-figure debt. The degree is worth jack. And you have to move and sell half your books and break up with whoever you’re dating.

We offer feedback and mentoring, but also teach:

 
 
  • Close reading

  • Revision

  • Feedback and editing

  • Forming writing groups

  • Research + reporting

  • Ending writers' block

  • Book and story publishing

  • Freelancing

  • Querying agents

  • Working with editors

  • Promotion + publicity

  • Money management

 
 

Focusing on longterm success and community, we throw local bookswap parties and a Slack channel. We’ve helped students sign with agents, land book deals (ten so far), get jobs, and win awards. Here's what past students say, and here are the complete rules.

 

PLUS:

Special Guests

Each session features three guests:

Jan 2024 - In Person
(1/10 - 3/2)

Garth Greenwell

Jamie Hood

Rayne Fisher-Quann

Mar 2024 - Online
(3/6 - 4/27)

Angela Flournoy

Shannon Sanders

Bennett Sims

May 2024 - In Person
(5/1 - 6/22)

Simon Wu

Caoilinn Hughes

Catherine Lacey

***CRIT will be on hiatus from July through end of 2024***

PAST GUESTS

Adrian Chen
Alexander Chee
Alexandra Kleeman
Alexandra Tanner
Alice Robb
Alice Sola Kim
Andrea Long Chu
Andrew Martin
Andrew Ridker
Anna North
Beth Morgan
Bijan Stephen
Brandon Taylor
C Pam Zhang
Calvin Kasulke
Carmen Maria Machado
Charlotte Shane
Chelsea Hodson
Darcie Wilder
Dayna Tortorici
De’Shawn Charles Winslow
Doreen St. Felix
Emily Gould
Emma Cline
Erin Somers
Esme Weijun Wang
Evan James
Fatima Mirza 
Garth Greenwell
Gretchen Felker-Martin
Hermione Hoby
Hua Hsu
Jackie Ess
James Yeh
Jamie Hood
Jazmine Hughes
Jen Percy
Jenny Zhang

Jessie Gaynor
Jia Tolentino
Jiayang Fan
Jo Livingstone
Jonathan Franzen
Julius Taranto
Kaitlyn Greenidge
Karan Mahajan
Kat Chow
Kathleen Alcott
Kevin Nguyen
Kristen Radtke
Larissa Pham
Lauren Groff
Leopoldine Core
Lincoln Michel
Mary HK Choi
Megan Nolan
Megha Majumdar
Melissa Lozada-Oliva
Mira Jacob
Mitchell S. Jackson
Muna Mire
Nicholas Mancusi
Rachel Yoder
Raven Leilani
Rax King
Rayne Fisher-Quann
Rebecca Rukeyser
RO Kwon
Sarah Rose Etter
Sarah Thankam Mathews
T Kira Madden
Thessaly La Force
Tracy O’Neill
Vauhini Vara
Zaina Arafat

Financial aid

The current fee is $850; aid is available based on need and available funds.

Intensive

We meet twice a week, a workshop and a seminar. You’ll do lots of reading. Each manuscript gets 750+ words of feedback and line edits from each other participant. Sample feedback letters here.

Form a group

Why pay for a workshop if you've already learned the basics? We heavily encourage making your own connections in the class; you’ll have access to an alumni listserv, Slack channel, events, and the occasional master class. Many classes have gone on to form writing groups. Hopefully this’ll be the last class you pay for.

Selective

Workshops are only as good as their students. Each session consists of nine talented writers. No credentials or recs required, just a writing sample. (Only one instructor, so we have to be picky 😅)

career Prep

When the class is over, we meet one-on-one to plan your writing projects and career. You get access to templates for cover letters, queries, pitches, submission trackers, professional rate calculators, invoices, and a collaborative spreadsheet of publications, residencies, agencies, MFAs, and other resources. We also help you query agents when ready.

Events

We periodically host the CRIT Bookswap, a party for students from all sessions to mingle, and every now and then special one-off master classes on subjects like journalism, screenwriting, and playwriting.

Genre-agnostic

The curriculum skews toward fiction, but we welcome all narrative prose: nonfiction, longform journalism, etc.

Hey: apply here

or use the contact form if you have questions

👏🏼 why the fuck not 👏🏼